Tutankhamun the Boy King and My First History Crush

When I was 8-years old and most girls were decorating their bedroom walls with posters of Leonardo DiCaprio, I was busy ogling thick textbooks filled with images of sinewy, mostly-shirtless pharaohs. This childhood interest of mine was not at all helped by the release of the Dreamworks animated film The Prince of Egypt that same year which was similarly filled with plenty of cartoon biceps. And as a little girl, it made sense to me that I should aspire to be Evelyn O’Connell in The Mummy (1999) and nab myself a sort of walking Curse Bae with regenerating abs who wants to make-out a little and maybe sacrifice you in some kind of ancient ritual or whatever. I’m not sure why Evie didn’t go for that, personally.

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Deliver us from your thirst trap, Ramses

So when I learned in school about the existence of an Egyptian pharaoh that was my age, I totally thought I had some kind of chance here–despite the fact he’d been dead for 3,000 years or so. But what’s a minor inconvenience in love, right? King Tut was my boy king! Unfortunately, my Catholic school girl self was in for a rude awakening on just how hot this dream barge probably was. Hold on to your chariots, folks!

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Thumps Up for Roman Gladiators

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Pollice Verso (Thumbs Down) by Jean-Leon Gerome 1824-1904

The image of a Roman gladiator’s fate being decided by a thumbs up or down is iconic–one that can be recalled in many Hollywood films including Ridley Scott’s Gladiator and the famous painting Pollice Verso by Jean-Leon Gerome. Many may find themselves familiar with the painting but might not know that the image above became the basis for our pop culture idea of a crowd of plebeians jeering and viciously stabbing their thumbs downward– signaling that they wished for the defeated gladiator to pay for his loss in combat with his life. It is also where Ridley Scott drew his inspiration while directing his movie epic, blessing us with one of the best Joaquin Phoenix performances before Joker danced his way down a flight of stairs.

But, like most beliefs cribbed from famous works–this one turned up false.

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Histastrophe’s barometer of historical accuracy as determined by an ego-maniacal Hercules impersonator.

If one were to find themselves judging the outcome of a gladiatorial match in a Roman arena (look, I don’t know your life), it might be helpful to know that if you were to signal with a thumbs up that everything is cool and kosher and you totally don’t wish any ill-will towards the defeated combatant–you might be that idiot screaming in surprise when the loser ends up spurting blood everywhere because your poor judgment resulted in his swift execution. You just sentenced that dude to death, man!

According to Anthony Corbeill, Classics Historian and author of works such as Nature Embodied: Gesture in Ancient Rome, whomever was in charge of administering the judgment of death over the defeated combatant would use ‘the hostile thumb’ or infesto pollice and that it would have been turned upward rather than down. [1] We learn this from 1st c. AD orator/teacher Quintillian who wrote that:

“Even in the fierce arena the conquered gladiator has hope, although the crowd threatens with its hostile thumb.” – Quintilian, Book 11 Institutio Oratoria [2]

We have a couple of reasons to suspect what this would look like–there are a few examples in Roman works that describe orators using certain gestures that were thought of as somewhat obscene. This hostile thumb was also described by Apuleius in his aptly named Golden Ass “like an orator, shutting in the two lowest fingers, extending the rest straight out, and beginning calmly with the infesto pollice.” [3] Naturally, this sort of position would suggest the thumb would be pointing upwards rather than down. Go ahead and try it the wrong way–I’ll wait. Quintilian often remarks on orators who speak with an uplifted hand being rather fond of using the hostile thumb as well–similar to those who enjoy ‘flipping the bird’ which is another gesture that was well in use in the Roman Empire. Both the thumbs up and the middle finger represent phallic imagery and aren’t thought of as particularly kind things to do with one’s hand, least of all one that would denote mercy.

“…numerous examples attest to gestural language outlasting spoken language.” – A. Corbeill, Thumbs in Ancient Rome: ‘Pollex’ As Index. [1]

Interestingly, there’s a great deal of thought and attention in Roman writings put on the power of the thumb. In possibly the most Italian thing ever, the common belief in Rome was that gestures contained a stable essence. Many Roman writers waxed poetic on the thumb (pollex) and were quick to point out the similarity with another Latin word pollet which meant “has power”. Roman writer Macrobius believed the thumb had moral superiority over the other fingers like it was some sentient, Twitter hashtag activist simply because it didn’t take as kindly to ornamentation. Methinks Macrobius simply never found a decent thumb ring. Other writers thought the thumb held power and sway over the remaining fingers by this virtue alone. Some weirdos thought the thumb was somehow connected to sexual organs and thus had regenerative powers because that makes a whole lot of sense. But not as much sense as Pliny the Elder who prescribes the right thumb of a virgin in curing someone of epileptic shock. Basically, Romans were crazy about their thumbs and, oddly, the rest of the ancient world was pretty sure that the thumb was simply connected to the hand. You know, like a normal finger ought to be. [1]

“…the thumb, either as the primary agent or acting by itself, has complete control over grasping and controlling, as if it were the guide and moderator of all things.” – Lactantius [4]

With this kind of obsession, and it stands to reason that gestures survive in cultural context better than verbal language does, it should be no surprise that throughout the timeline of Italian history, there are mentions of an erect thumb pointing at objects or people as one of scorn–from Dante’s Renaissance all the way up to the 20th century–some form of the Hostile Thumb lived on. It’s not even uncommon in other neighboring countries to view the ‘thumbs up’ as a sexually offensive one and it wasn’t until World War II and the influx of American G.I.’s that the cross-contamination of the gesture changed in Italy. [1]

So if you wanted to save a gladiator, what gesture would you use?

Medaillon de Cavillargues –  The inscription reads STANTES MISSI which means ‘released standing’. Depicting an act of mercy for both combatants signaled with a closed fist type gesture. [1]

Remember that the thumb has otherworldly powers, especially over the other fingers. There’s a whole thing from Pliny the Elder which discusses a ‘well-wishing’ thumb exists in proverb where one means to show approval when pressing down the thumb on something, like a hand or upon an enclosed fist. Because these are the Romans we’re talking about, of course pressing the thumb on things held a power in and of itself. Pressing a thumb on things might even cure you of pains and other ailments, and certainly pressing your thumb on your fist would save the life of a gladiator in the arena who maybe lost the fight because he ate too much garum sauce and was a bit sickly. Let him fight another day!

“Raising the hands and closing the fists, therefore, were expressions of power capable to concede life.” Michel de Montaigne [4]

Now, since we’ve gotten this far, I’m sure most of you are well and myth-busted and smartly know that the thumbs up is an ancient signal for death in the gladiatorial arena. For those left feeling a little skeptical still (I get it, magical thumbs are weird) I’d ask you to think on another well-known gesture you are already familiar with that similarly employs the hostile thumb.

How about the “You’re dead” gesture, cutting the throat with a thumbs up like a sword?

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Yeaaaaaah–maybe rethink your thumbs ladies and plebes.

Fact Check it, yo!

[1] Corbeill, A. “THUMBS IN ANCIENT ROME: ‘POLLEX’ AS INDEX.” Memoirs of the American Academy in Rome, vol. 42, 1997, pp. 1–21. JSTOR, www.jstor.org/stable/4238745.

[2] Quintilian, Institutio Oratoria. Book XI: http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Quintilian/Institutio_Oratoria/11C*.html

[3] Apuleius, The Golden Ass: https://archive.org/stream/TheGoldenAss_201509/TheGoldenAsspenguinClassics-Apuleius_djvu.txt

[4] Corbeill, A. (2004). Nature embodied: gesture in ancient Rome. Oxford: Princeton University Press.

The Roman Vomitorium – A Regurgitating Myth

Colosseum

The Colosseum should just be renamed ‘The Vomitorium’ so people finally get it.

Nothing makes me want to hurl more than oft repeated historical misunderstandings. ‘Christopher Columbus discovered America’ is a saying that forces me to eat copious amounts of cake to feel sane, hearing “Napoleon Bonaparte was really short” and I can be seen adding glasses of wine to the mix, and listening to another geographical wizard exclaim that “Cleopatra was Egyptian” and now I’m trying to find the nearest room to chuck it all up in–which if I were living in the Roman Empire would be convenient, right? Except they didn’t actually have a room for this as is popularly believed.

An illustration found in The Washington Post before Google existed.

‘Vomitorium’ sounds like one of those words one could easily decipher. It’s Latin and clearly using the root word for ‘vomit’ and ‘orium’–so a functional place to vomit. The mind puzzles over what exactly a ‘vomit place’ could be and knowing the extravagant splendor of Roman indulgences of the elite class–wouldn’t it make sense that in between all of those supposed orgies, Emperor assassinations, and dishes slathered with garum sauce, the Romans would require a room in which to purge their feast-ly contents just so they could go back to eating and partying anew?

Sure, if there was any evidence of it.

Unfortunately, the reality of what a ‘vomitorium’ actually is amounts to a much more mundane truth. The term does derive from the same root of the word vomit, in this case “to spew forth” which is exactly what the function of a vomitorium serves as, just not in keeping a toga party raging until dawn. In Roman amphitheatres and stadiums, it became necessary to create a passage way in which a large crowd of people could leave as quickly and efficiently as possible–exactly like the contents of a stomach after consuming those questionably cooked fish tacos from last night. When you’re a civilization of bread and circuses, evacuating a stadium like projectile pea soup ala The Exorcist certainly becomes a high priority in architectural ingenuity. [1]

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Don’t even think about puking in me, culus

So where did this retched misconception come from other than a misunderstanding of architectural terminology and why did it continue to be hurled around as a ‘fun fact’ of Roman history? First, let’s start with the primary sources.

…but all naked and panting as they are, the instant they leave the bath they seize hold of large vessels filled with wine, to show of, as it were, their mighty powers, and so gulp down the whole of the contents only to vomit them up again the very next moment. This they will repeat, too, a second and even a third time, just as though they had only been begotten for the purpose of wasting wine, and as if that liquor could not be thrown away without having first passed through the human body. – Pliny the Elder on ‘Drunkenness’, BOOK XIV. THE NATURAL HISTORY OF THE FRUIT TREES. [2]

The usage of the word ‘vomitorium’ doesn’t appear until the 5th century AD when it is used by the Roman writer Macrobius in his work The Saturnalia to describe these passageways in stadiums as being designed to ‘disgorge’ an audience from the venue. Seems as if the word itself should have been able to survive into modern times intact with its original meaning then, but instead it was muddled with other accounts and hurled together into the misconception it is today. [3] We can look at the works of Seneca the Younger, a lucrative philosopher of Stoicism (A philosophy also noted for it’s teachings in discipline and freedom of passions), in which he lambasted the indulgence of certain Roman’s in a letter to his mother Helvia where he metaphorically implied that “They vomit so they may eat and eat so that they may vomit.” which seems to have been taken as a literal source of evidence by later centuries of writers who believed this to prove the need of a purge room like the infamous ‘vomitorium’. [1]

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Yo, Dickus Manickus–you gonna eat that?

This misunderstanding is not helped either by satirical works such as the Satyricon which scholars believe was written by Petronius, a courtier of Nero, in the 1st c. AD. Yeah, that guy of reputable shenanigans. Petronius describes a dinner celebration in which the patrons were not only busy fornicating in an orgy but also throwing up the contents of their feast. Even if this were a work of non-fiction, and one that would have been applied to a particularly abominable Emperor, he does not mention a specific room where these events would have supposedly taken place. Other writers such as Cassius Dio, Cicero, and Suetonius mention specific stories in which vomiting after excess had taken place (Julius Caesar was said to partake in purging antics) but, again, no mention of a puke room specifically. [1]

Sure, there is also Aulus Cornelius Celsus who recommends vomiting as a medicinal treatment where he suggests that “…after a dinner of many courses and many drinks of diluted wine a vomit is even advantageous” but continuing to clarify “When anything in the dinner is felt to disagree, he should provoke a vomit, repeating it the next day“. So this is not necessarily meant to suggest that one should be purging the contents of their dinner just so they could resume ingesting as much as they desire immediately after. Also, not to mention, Celsus is a practitioner of the imbalances of humors and prescribes vomiting to ease in the plethoric and bilious. And even then, he specifically states -“I allow that vomiting should not be practiced for the sake of luxury…no one who wants to keep well, and live to old age, should make it a daily habit.” So this supposed practice of binging and purging wasn’t exactly one that was encouraged either. [4]

Yet, despite ‘vomitorium’ clearly being used to describe architecture in its first usage and the lack of a ‘purge room’ being mentioned in sources detailing acts of vomiting among Romans, we get to the 20th century where Aldous Huxley publishes his novel Antic Hay in 1923 which serves as a comical narrative lampooning the lifestyle of exorbitance among the London elite.

“The door of his sacred boudoir was thrown rudely open, and there strode in, like a Goth into the elegant marble vomitorium of Petronius Arbiter…”  Ch. 18 [5]

It’s here that Huxley calls back to the Satyrion as mentioned earlier and applies the term ‘vomitorium’ incorrectly to the salacious acts of binging and purging described by Petronius. From here the association of a room in where Romans would purge their food and resume their feasts enters into the pop culture lexicon and Aldous Huxley is credited with creating a brave new world of alt-historical realities. [6] Almost one hundred years later and people are still regurgitating the same misconception–an idea further perpetuated by any clever writer who thinks the concept of a ‘vomitorium’ a sick one to include in their works or just passed around by people who heard it secondhand.

Clearly, the misuse of ‘vomitorium’ is about as contagious as the stomach flu. Let’s do us all a favor and keep the myth down so we don’t all get sick with a case of ‘being wrong’, yeah?

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Partying it up Bacchus style

Fact check it, yo!

[1Alice P. RADIN Fictitious Facts: The Case of the Vomitorium: 

https://web.archive.org/web/20030320192257/http://www.apaclassics.org/AnnualMeeting/03mtg/abstracts/radin.html

[2] Pliny the Elder, BOOK XIV. THE NATURAL HISTORY OF THE FRUIT TREES, Ch. 28: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:abo:phi,0978,001:14

[3]  Macrobius, The Saturnalia: http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Macrobius/Saturnalia/home.html

[4] Celsus, On Medicine, Book III: http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Celsus/3*.html

[5] Aldous Huxley, Antic Hay, Ch. 18: https://gutenberg.ca/ebooks/huxleya-antichay/huxleya-antichay-00-h.html

 

 

 

 

Henry II of Champagne and the Humorous Unbalance

 

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“Taking of Jerusalem by the Crusaders, 15th July 1099” Emile Signol (1847)

The 12th century AD was a murderously good time for anyone who was bored and looking for something to go kill in a far away land. Noble youths with unsatiated blood lust who had run out of best friends to kidnap and ransom finally found their calling. When Pope Urban II called for aid to the Byzantine Empire in the form of military ass-whuppery, many of these belligerent teenagers set off to reclaim the territory in Anatolia lost to those rando Seljuq Turks that had seemingly popped up out of nowhere on the world stage. While doing so, they thought–hey man, since we’re already down here and winning, why not shift our fratboy douchebaggery party hoppin’ on over to Jerusalem and just, like, wrestle it out of the hands of those rival Islamic bros and totally blow up their spot? Thus kicking off centuries of The Crusades lobbing that territory back and forth between blood baths and redrawn political landscapes that cause even the most healthy, history of the Middle Ages student a migraine as they attempt to make sense of the disjointed kingdoms and legacies that cropped up as a result.

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Eleanor of Aquitaine with dat sass, yo

This was the era of key historical players who are famed for their role in these events. There was the showdown between Richard I the Lionheart and Saladin during the Third Crusade, Frederick Barbarossa was busy harassing the Italian states and making himself Holy Roman Emperor, Eleanor of Aquitaine was retaliating with a decent show of her own “game of thrones”. Genghis Khan was occupied uniting the Mongol tribes and gearing up for a casual, no big deal ride through Asia just to, you know, take in the scenery. The 12th century was rife with so many popes and kings and wars, it’s no wonder people’s imaginations light up when they think of the high middle ages–things were going down.

And so was Henry II of Champagne, incidentally, but he doesn’t know that quite yet.

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Venice Day 2: So “Doge”alicious

Today is our last full day in Italy before we head back to the frozen tundra we stubbornly call home. As Venice is a beautiful, seaside city we wanted to soak up as much sunshine as we could.

But first, we ducked in to visit The Doge’s Palace not far from our hotel to start our day. The palace was built to house not only the Doge but the entire government–filled with senate and judicial chambers as well as a frighteningly cold prison.

The palace was also hosting a temporary exhibition featuring paintings and artwork from Venetian painter Canaletto as well as others. Canaletto was most famous for his stunning portraiture of Venice, so it was pretty cool to see what the city used to look like back in the 18th century compared to today.

Old Venice from Canaletto

New Venice, still pretty though!

We also got to view the palace’s extensive collection of armory and weaponry–I’ve honestly never seen so many swords, axes, and crossbows in one place before and I am a frequent player of video games.

It was time now to visit the prison. The excited feeling I had of momentarily stepping into a real life Pirates of the Caribbean quickly vanished as I realized how truly miserable these dungeons were. They were dank, cold, and lifeless. No window, no nothing–really. They were stone chambers reminiscent of Edmund Dantes’ vacation in Chateau d’If. Knowing that was to be one’s punishment upon misbehaving, I can’t understand why anyone would even bother.

After touring the palace, we thought we’d go island hopping for a bit. It was a gorgeous day out, despite the chilly breeze, and the piazza was otherwise packed with tourists. Before we caught our boat, we witnessed an irate Gondola driver chewing out two people who had just ridden with him–apparently they talked too much!

My mother was most excited to visit the island of Murano so that she could browse the glass shops. She was also hoping we could find a factory and see how it was made–my mom usually gets what she wants, so the universe answered in kind. Here’s a demonstration from a glass blower making a sculpture in 1-minute!

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Glass blowing demonstration in Murano! ❤️

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After cruising around the islands in the sun for awhile, I wanted to warm back up with my coffee from Caffe’ Florian. Casanova used to hang around there in particular because that’s where all the pretty ladies in Venice used to go–so I thought my mom and I better sit inside this time!

Chicken salad sandwich with Florian sauce!

The rest of our time in Venice was spent walking around and trying to commit the city to our memory forever. It really is a beautiful city and I’ve heard negative things about it from some people who insisted it smelled–honestly, I didn’t get that all. Though I had the impression we were visiting in the off-season and perhaps things don’t get as funk when it’s not summer time! Needless to say, Venice did not disappoint–I’d definitely love to come back again some day and explore!

Closing out the night, we visited a highly rated restaurant called Bistrot de Venice which specializes in showcasing traditional Venetian cuisines. I ordered Pasta & Goose, which includes pinenuts, raisins, goose sauce, rosemary, and sage. It’s a traditional dish born from the Jewish Ghetto in Venice around the 16th century.

They gave us these for desert!

It’s now time for me to head home–Italy will surely be missed. I know I’ll be back again soon someday, however. Thanks for following along with my adventures and I hope you stick around on my blog and continue to follow along with my adventures delving into various history topics–always with a good sense of humor, of course!

Venice Day 1: Heard You Like Canals, So I Put a Canal in Your Canal

Ah, Venezia. Routinely named one of the most beautiful cities in the entire world and, from a historical standpoint, a consistent maritime trouble-maker. This little city filled with canals, gondolas, and a raging Carnivale was the birthplace and stomping ground of a lot of famous figures including explorer Marco Polo, composer Antonio Vivaldi, and Giacomo Casanova–a man not easily summed up in one noun.

Most of what I know of Venice had to do with their dastardly deed’s during the 4th Crusade in the 13th century when Enrico Dandolo was the doge. Crusading was the thing to do in this era, and when another bout of armies appeared in Venice with the intention of once again trying to wrestle for control over the holy site of Jerusalem–the Venetians commandeered The Crusading forces and convinced them to attack Zara, a rival and pirate port. Then, Enrico took a bribe from a grouchy son of a deposed emperor to overthrow his uncle, and the gang thus went ahead and sacked Constantinople too for giggles and moneys –all the while Pope Innocent III was shrieking alone in Rome like OH MY GOD THAT’S NOT WHAT I SAID!

Today, however, Venice appears a lot more calm and is bustling with tourists rather than wanna-be knights.

First thing we did after taking a water taxi through the Grand Canal and navigating our way through narrow streets to our hotel, was visit the Piazza San Marco which we are staying about a 2-minute walk away from. Looming over the plaza is St. Mark’s Basilica, which we were able to go inside to tour. Like with other religious sites we’ve visited in Italy before, photos and cell phones weren’t allowed. There are certainly many people who break these rules and I cringe whenever I see them doing it, even if they don’t get caught. I understand that we are all tourists, but there is something extra gross about running around a church which explicitly discourages photos and then trying to waltz around areas where only those intending to pray are allowed. Either way, I was able to take in the basilica and it’s decidedly Byzantine aesthetic–the inside was covered head to toe with golden mosaics you’ll have to simply dream about (or do a Google Image search in the hopes of one of those rule breakers having posted them, I guess). Also, the basilica houses the relics of St. Mark. I sure do love me some relics and doing a Histastrophe post on them one day is still on my extensive backlog list of ‘to-dos’.

Also to be found in the same area is a place I’ve been excited to visit for year’s as a coffee connoisseur–the world’s oldest coffeehouse, Caffe’ Florian!

Built in 1720, (It’s older than the United States of America, yo!) Caffe’ Florian became the coffee hangout spot of Casanova, Lord Byron, Proust, and even Charles Dickens. I’ve always wanted to sit at these tables and sip a coffee–hoping to catch even a little bit of the inspiration these guys had!

I went with hot chocolate today—coffee tomorrow!

While we were sitting on the patio at Caffe’ Florian, enjoying a violin and piano concerto, a sudden storm cloud blew threw and high winds with rain ended up cascading through the piazza, scattering everyone–including the merchants! We had flirted with the idea of taking a boat ride to Murano island today but had opted to save that for tomorrow and we were glad we did! With the now rainy and chilly night ahead of us, we decided to rough it out as much as we could walking the cobbled streets and grabbing dinner at a nearby pizzeria.

Carbonara pizza

Most of the shops we encountered were tourist traps with the same repeating souvenirs everywhere you looked and redundant leather shops carrying similar stock. I started to understand pretty quickly why local Venetians hate tourists so much. I understand the appeal of souvenirs, but when literally every shop carries them–there is little in the way of the actual history and culture of Venice present. I want to see how the Venetians live, but I’m starting to realize perhaps they don’t even exist in these areas which is even sadder to me.

We did walk by a few residential places, which from what we’ve heard, is extremely expensive on this island–but the only indication of life seemed to be small boats tied up in the Canal with personalized decals like one we saw with the caped crusader, Batman.

Perfectly golden espresso for dessert!

Tomorrow, we have plan’s to visit the Doge’s palace and hop on a boat to explore the islands!

Florence Day 2: Mo’ Money, Mo’ Medici

Today is our last day in Florence and I think we’re all good and stuffed with Art History now! We started our day with the usual espresso (make that like 4 espresso) and croissant while we planned our attack route of as much of Florence as we could squeeze in. One of the first places we wanted to hit up today was the Piazzale de Michaelangelo so we could get our panoramic view of the city. It was fairly quiet today as it was in the low 60’s and overcast with wind–didn’t seem like many people were up for venturing out. To us, we knew it could be way, way worse outside (like -50 degrees worse, Hi Minnesota) so we made it work. We were able to take in the view without much interruption from other fellow tourists.

Next, we took a tour bus up to visit the site of Fiesole–now a spot up in the hills overlooking Florence with tons of villas I’d kill to own one day. Back in yesteryears, however, Fiesole used to be a sassy little Etruscan stronghold that struggled to resist the Romans as long as it could, getting sacked and razed by those imperial scoundrels and then again by the Byzantines and lastly by Florence itself, which squashed Fiesole into submission and used it as a quarry. The site still consists of well preserved Roman ruins, especially an amphitheater, but our tour bus only stopped and allowed us 20 minutes to get off–a laughably short time just long enough to find a bathroom and walk back.

Here is the main Piazza Mino though

It was pretty cold up in the mountains anyway and we were starting to eye up those Firenze scarves every kiosk was selling, so we didn’t exactly mind heading back down and off to our next stop. Before we met up at the Pitti Palace, we grabbed an Italian style hotdog for lunch.

Okay, now THIS is the best hot dog I’ve ever had

Now on to the Pitti Palace (still free–I love Cultural Week), the largest museum in Florence. It’s a Renaissance building that was originally constructed (mostly) by a fellow banker and friend of The Medici, Luca Pitti. After he died before it had been completed, one of his descendants Eleanora and wife to Grand Duke Cosimo I de’Medici (Descendent from Lorenzo “the Magnificent” Medici on his mother’s side and Caterina Sfroza on his father’s–fanning myself here.) took over the palace.

Cosimo of really cool genes

The Medici Family eventually all moved in and expanded the structure as well as including the Boboli Gardens which you can catch a small glimpse of below:

Once all The Medici died out, the palace passed to the Hapsburg-Lorraine line and became Holy Roman Emperor Francis I’s new treasure trove. Things got fun for a bit when Napoleon showed up, and then it eventually fell into the hands of the Savoy House and was finally donated to Florence by King Victor Emmanuel III where it is now an art museum, costume gallery/fashion exhibit, treasure room, and royal apartment wing.

Young Michaelangelo

I need to own every single one of these

Medici Coffer—I imagine it held a lot of moolah

By the time we managed to claw our way out of exhibits of animal-inspired dresses by famous fashion designers, rooms filled with with all kinds of treasures I started to feel like Aladdin in the Cave of Wonders, and rooms lined with paintings entirely reminiscent of Versailles–we realized we were losing daylight fast. We knew we had just enough time to make one more stop, the big one in Florence.

On our way, we crossed the Ponte Vecchio–the oldest bridge in Florence supposedly first built during Roman times and rebuilt subsequently after continuous flooding when the Arno kept destroying it. It’s extremely cool to walk along the merchant shops and see the clearly Medieval influence in their build. Most of the shops were jewelers or gold sellers so we spent a considerable amount of time gawking at the displays wishing that we were Medici so that we could be able to afford such purchases and start our own treasure room back home!

And finally, we found him:

some guy

On the menu for dinner tonight was the Bistecca Florentine, a cuisine speciality. It was amazingly juicy and the sear was perfection–I’m definitely down with steak the Florence way. It came with a salad which consisted of fresh tomato, artichoke, corn, and olives and I have honestly never had better. We also had Tuscan bread dipped in olive oil but that goes without saying.

This goes without saying too

Tomorrow we hit the canals, see you in Venice!