Right now, most of us are stuck indoors waiting for the world to calm down. Or maybe we are frantically running amok buying out all the toilet paper for some reason. Either way, it’s likely that we’re all feeling a little bit of panic right now over whether or not we (or someone we love) will catch viral plague. Or perhaps we’re even worried over the thought of not being able to properly wipe our bums. The world has experienced many bouts of mass hysteria in its numerous cycles around the sun. Choosing just one to write about while I sit at home waiting to play Animal Crossing and trying not to think about if Idris Elba is okay is no small feat. I figure, why not go with one that is least likely to repeat itself as an epidemic event on a global scale in present day? Unless you think we are at risk for regicide conspiracies, cult black masses, conniving leagues of witches, and a whole lot of poison–than maybe close your browser and find something else to distract yourself with because the notoriety of the famous French witch La Voisin might be even more panic inducing for you.
It’s that time of year, folks. Some of us dread tax season, while others have already excitedly processed our W-2 forms and gotten our refund checks already snugly cushioned in our savings account where they will soon be pilfered and turned into euros for next month (Rome and Athens here I come!). No matter how you feel about it, what all of us likely have in common is combing through any possible tax refunds available–and sometimes we stumble across some truly confounding tax laws in the process. Around the world, you can find a “Fat Tax” on junk food or a “Cow Flatulence Tax” on…well. But one of my favorite ones, of course, brings us back to a time when things were so much more delightfully weird thanks to the ever bizarre behaviors of the people living in the Roman Empire.
When they weren’t busy guzzling putrid fish sauce, the practice of collecting pee from urinals in Rome was so popular that some Roman Emperors saw a golden opportunity to cash in. Among them was Vespasian who ruled the empire in the 1st century AD and would otherwise be most famous for starting the construction of The Colosseum, but will now forever be immortalized instead as the guy who taxed the piss out of Rome. 
The Urine Tax (Vectigal urinae) specifically targeted public collection of urine that was done in Rome’s Cloaca Maxima or great sewer system. The Cloaca Maxima was one of the earliest examples of a sewage system built in the world proving that the Romans certainly knew how to ‘keep their shit together’, which perhaps is a credit to how long the Roman Empire managed to last for as many centuries as it did. These collectors or cleaners would take what urine was left behind in public latrines (the how is a process I’m less inclined to know for the sake of my own innocence) and would sell it to a buyer which is where the taxation came into play. The individual looking to purchase the urine for who knows what purpose is the one who would be charged the additional tax. You’re probably asking yourself, why in the great stabbed Caesar would anyone need a batch of random pee? Well, you’re in for a treat, I guess.
Turns out the use of urine was an industry in and of itself back then and urine was quite the lofty ingredient for all kinds of chemical processes. Urine was primarily included in the uses of tanning, wool production, or even as a whitening product (seems counter-intuitive, I know) with the ammonia helping clean togas.  Even more extensive were its supposed medical uses…
According to Pliny the Elder, essentially the father of encyclopedias and good friend of Emperor Vespasian, urine could be used to cure all sorts of ailments like sores, gout, dog bites, skin irritations, burns, rectum diseases, chaps on the body, head ulcers and scalp diseases, and whatever else could likely be submerged in the yellow elixir.  Before we completely write off the old crazy man and thank Mount Vesuvius for taking him and his pee-cures off this planet forever, every single one of us has heard that if you’re stung by a jellyfish the best way to deal with the pain is let it all out on the sting spot like a Coldplay song (It was all yellllowwww) despite doctors telling us not to do this–so apparently urine’s reputation as a cure-all has persisted through history with or without Pliny’s personal contribution. Hey, it’s still better than what the Ancient Egyptians used for contraception.
The loathsome character of a few, such as dung and urine, may originally have been due…to the conviction that life-essence was in them in a concentrated form. …it is just possible that the use in medicine was partly due to the obvious value of manure as a fertilizer. –H.S. Jones, Ancient Roman Folk Medicine 
So why is Emperor Vespasian so strongly associated with this Urine Tax since it seems not unusual to a people that see nothing wrong with slathering pee all over their heads, especially since it was unsurprisingly the madman Nero who started the tax in the first place? That would be thanks to a common phrase that goes, “Money Does Not Stink” which is attributed to Vespasian and can still be found referenced in popular works like F. Scott Fitzgerald’s The Great Gatsby, for example. According to Suetonius, as the story goes, Vespasian’s son and future Roman Emperor Titus lamented to his father on how disgusting it was to consider a taxation on waste from public toilets. Vespasian’s response was to hold a coin under his son’s nose and ask if the smell of it offends him as well. Titus admitted that it did not, to which Vespasian replied, “Yet it comes from urine.” Born then was the Latin Pecunia non olet or “money does not stink” which essentially means to say, despite where it came from or how it was accumulated, wealth retains its value. 
Thanks to Emperor Vespasian’s continued efforts toward the taxation of urine from Roman latrines, his name is still used today to denote public urinals which can still be found all over Italy (Bagni Vespasiani!) and France. I suppose his son Titus got the last laugh in this regard–perhaps if Vespasian had listened to Titus, his eternal legacy would have been his name on all built amphitheaters instead.
Fact Check It, Yo!
 Suetonius: De Vita Caesarum–Divus Vespasianus, c. 110 C.E., P. XXIII, Translated by J.C. Rolfe, The Loeb Classical Library, Obtained via Fordham University: https://sourcebooks.fordham.edu/ancient/suetonius-vespasian.asp
 Witty, M. (2016), ANCIENT ROMAN URINE CHEMISTRY. Acta Archaeologica, 87: 179-191. doi:10.1111/j.1600-0390.2016.12170.x
 Pliny the Elder, Natural History; 28.19, chap. 18 – Remedies Derived from the Urine: http://perseus.uchicago.edu/perseus-cgi/citequery3.pl?dbname=PerseusLatinTexts&getid=1&query=Plin.%20Nat.%2028.18
 Ancient Roman Folk Medicine Author(s): W. H. S. JONES Source: Journal of the History of Medicine and Allied Sciences, Vol. 12, No. 4 (October, 1957), pp. 459-472 Published by: Oxford University Press Stable URL: https://www.jstor.org/stable/24619369
When I was 8-years old and most girls were decorating their bedroom walls with posters of Leonardo DiCaprio, I was busy ogling thick textbooks filled with images of sinewy, mostly-shirtless pharaohs. This childhood interest of mine was not at all helped by the release of the Dreamworks animated film The Prince of Egypt that same year which was similarly filled with plenty of cartoon biceps. And as a little girl, it made sense to me that I should aspire to be Evelyn O’Connell in The Mummy (1999) and nab myself a sort of walking Curse Bae with regenerating abs who wants to make-out a little and maybe sacrifice you in some kind of ancient ritual or whatever. I’m not sure why Evie didn’t go for that, personally.
So when I learned in school about the existence of an Egyptian pharaoh that was my age, I totally thought I had some kind of chance here–despite the fact he’d been dead for 3,000 years or so. But what’s a minor inconvenience in love, right? King Tut was my boy king! Unfortunately, my Catholic school girl self was in for a rude awakening on just how hot this dream barge probably was. Hold on to your chariots, folks!
The image of a Roman gladiator’s fate being decided by a thumbs up or down is iconic–one that can be recalled in many Hollywood films including Ridley Scott’s Gladiator and the famous painting Pollice Verso by Jean-Leon Gerome. Many may find themselves familiar with the painting but might not know that the image above became the basis for our pop culture idea of a crowd of plebeians jeering and viciously stabbing their thumbs downward– signaling that they wished for the defeated gladiator to pay for his loss in combat with his life. It is also where Ridley Scott drew his inspiration while directing his movie epic, blessing us with one of the best Joaquin Phoenix performances before Joker danced his way down a flight of stairs.
But, like most beliefs cribbed from famous works–this one turned up false.
If one were to find themselves judging the outcome of a gladiatorial match in a Roman arena (look, I don’t know your life), it might be helpful to know that if you were to signal with a thumbs up that everything is cool and kosher and you totally don’t wish any ill-will towards the defeated combatant–you might be that idiot screaming in surprise when the loser ends up spurting blood everywhere because your poor judgment resulted in his swift execution. You just sentenced that dude to death, man!
According to Anthony Corbeill, Classics Historian and author of works such as Nature Embodied: Gesture in Ancient Rome, whomever was in charge of administering the judgment of death over the defeated combatant would use ‘the hostile thumb’ or infesto pollice and that it would have been turned upward rather than down.  We learn this from 1st c. AD orator/teacher Quintillian who wrote that:
“Even in the fierce arena the conquered gladiator has hope, although the crowd threatens with its hostile thumb.” – Quintilian, Book 11 Institutio Oratoria 
We have a couple of reasons to suspect what this would look like–there are a few examples in Roman works that describe orators using certain gestures that were thought of as somewhat obscene. This hostile thumb was also described by Apuleius in his aptly named Golden Ass “like an orator, shutting in the two lowest fingers, extending the rest straight out, and beginning calmly with the infesto pollice.”  Naturally, this sort of position would suggest the thumb would be pointing upwards rather than down. Go ahead and try it the wrong way–I’ll wait. Quintilian often remarks on orators who speak with an uplifted hand being rather fond of using the hostile thumb as well–similar to those who enjoy ‘flipping the bird’ which is another gesture that was well in use in the Roman Empire. Both the thumbs up and the middle finger represent phallic imagery and aren’t thought of as particularly kind things to do with one’s hand, least of all one that would denote mercy.
“…numerous examples attest to gestural language outlasting spoken language.” – A. Corbeill, Thumbs in Ancient Rome: ‘Pollex’ As Index. 
Interestingly, there’s a great deal of thought and attention in Roman writings put on the power of the thumb. In possibly the most Italian thing ever, the common belief in Rome was that gestures contained a stable essence. Many Roman writers waxed poetic on the thumb (pollex) and were quick to point out the similarity with another Latin word pollet which meant “has power”. Roman writer Macrobius believed the thumb had moral superiority over the other fingers like it was some sentient, Twitter hashtag activist simply because it didn’t take as kindly to ornamentation. Methinks Macrobius simply never found a decent thumb ring. Other writers thought the thumb held power and sway over the remaining fingers by this virtue alone. Some weirdos thought the thumb was somehow connected to sexual organs and thus had regenerative powers because that makes a whole lot of sense. But not as much sense as Pliny the Elder who prescribes the right thumb of a virgin in curing someone of epileptic shock. Basically, Romans were crazy about their thumbs and, oddly, the rest of the ancient world was pretty sure that the thumb was simply connected to the hand. You know, like a normal finger ought to be. 
“…the thumb, either as the primary agent or acting by itself, has complete control over grasping and controlling, as if it were the guide and moderator of all things.” – Lactantius 
With this kind of obsession, and it stands to reason that gestures survive in cultural context better than verbal language does, it should be no surprise that throughout the timeline of Italian history, there are mentions of an erect thumb pointing at objects or people as one of scorn–from Dante’s Renaissance all the way up to the 20th century–some form of the Hostile Thumb lived on. It’s not even uncommon in other neighboring countries to view the ‘thumbs up’ as a sexually offensive one and it wasn’t until World War II and the influx of American G.I.’s that the cross-contamination of the gesture changed in Italy. 
So if you wanted to save a gladiator, what gesture would you use?Remember that the thumb has otherworldly powers, especially over the other fingers. There’s a whole thing from Pliny the Elder which discusses a ‘well-wishing’ thumb exists in proverb where one means to show approval when pressing down the thumb on something, like a hand or upon an enclosed fist. Because these are the Romans we’re talking about, of course pressing the thumb on things held a power in and of itself. Pressing a thumb on things might even cure you of pains and other ailments, and certainly pressing your thumb on your fist would save the life of a gladiator in the arena who maybe lost the fight because he ate too much garum sauce and was a bit sickly. Let him fight another day!
“Raising the hands and closing the fists, therefore, were expressions of power capable to concede life.” Michel de Montaigne 
Now, since we’ve gotten this far, I’m sure most of you are well and myth-busted and smartly know that the thumbs up is an ancient signal for death in the gladiatorial arena. For those left feeling a little skeptical still (I get it, magical thumbs are weird) I’d ask you to think on another well-known gesture you are already familiar with that similarly employs the hostile thumb.
How about the “You’re dead” gesture, cutting the throat with a thumbs up like a sword?
Yeaaaaaah–maybe rethink your thumbs ladies and plebes.
Fact Check it, yo!
 Corbeill, A. “THUMBS IN ANCIENT ROME: ‘POLLEX’ AS INDEX.” Memoirs of the American Academy in Rome, vol. 42, 1997, pp. 1–21. JSTOR, www.jstor.org/stable/4238745.
 Quintilian, Institutio Oratoria. Book XI: http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Quintilian/Institutio_Oratoria/11C*.html
 Apuleius, The Golden Ass: https://archive.org/stream/TheGoldenAss_201509/TheGoldenAsspenguinClassics-Apuleius_djvu.txt
 Corbeill, A. (2004). Nature embodied: gesture in ancient Rome. Oxford: Princeton University Press.
Nothing makes me want to hurl more than oft repeated historical misunderstandings. ‘Christopher Columbus discovered America’ is a saying that forces me to eat copious amounts of cake to feel sane, hearing “Napoleon Bonaparte was really short” and I can be seen adding glasses of wine to the mix, and listening to another geographical wizard exclaim that “Cleopatra was Egyptian” and now I’m trying to find the nearest room to chuck it all up in–which if I were living in the Roman Empire would be convenient, right? Except they didn’t actually have a room for this as is popularly believed.
‘Vomitorium’ sounds like one of those words one could easily decipher. It’s Latin and clearly using the root word for ‘vomit’ and ‘orium’–so a functional place to vomit. The mind puzzles over what exactly a ‘vomit place’ could be and knowing the extravagant splendor of Roman indulgences of the elite class–wouldn’t it make sense that in between all of those supposed orgies, Emperor assassinations, and dishes slathered with garum sauce, the Romans would require a room in which to purge their feast-ly contents just so they could go back to eating and partying anew?
Sure, if there was any evidence of it.
Unfortunately, the reality of what a ‘vomitorium’ actually is amounts to a much more mundane truth. The term does derive from the same root of the word vomit, in this case “to spew forth” which is exactly what the function of a vomitorium serves as, just not in keeping a toga party raging until dawn. In Roman amphitheatres and stadiums, it became necessary to create a passage way in which a large crowd of people could leave as quickly and efficiently as possible–exactly like the contents of a stomach after consuming those questionably cooked fish tacos from last night. When you’re a civilization of bread and circuses, evacuating a stadium like projectile pea soup ala The Exorcist certainly becomes a high priority in architectural ingenuity. 
So where did this retched misconception come from other than a misunderstanding of architectural terminology and why did it continue to be hurled around as a ‘fun fact’ of Roman history? First, let’s start with the primary sources.
…but all naked and panting as they are, the instant they leave the bath they seize hold of large vessels filled with wine, to show of, as it were, their mighty powers, and so gulp down the whole of the contents only to vomit them up again the very next moment. This they will repeat, too, a second and even a third time, just as though they had only been begotten for the purpose of wasting wine, and as if that liquor could not be thrown away without having first passed through the human body. – Pliny the Elder on ‘Drunkenness’, BOOK XIV. THE NATURAL HISTORY OF THE FRUIT TREES. 
The usage of the word ‘vomitorium’ doesn’t appear until the 5th century AD when it is used by the Roman writer Macrobius in his work The Saturnalia to describe these passageways in stadiums as being designed to ‘disgorge’ an audience from the venue. Seems as if the word itself should have been able to survive into modern times intact with its original meaning then, but instead it was muddled with other accounts and hurled together into the misconception it is today.  We can look at the works of Seneca the Younger, a lucrative philosopher of Stoicism (A philosophy also noted for it’s teachings in discipline and freedom of passions), in which he lambasted the indulgence of certain Roman’s in a letter to his mother Helvia where he metaphorically implied that “They vomit so they may eat and eat so that they may vomit.” which seems to have been taken as a literal source of evidence by later centuries of writers who believed this to prove the need of a purge room like the infamous ‘vomitorium’. 
This misunderstanding is not helped either by satirical works such as the Satyricon which scholars believe was written by Petronius, a courtier of Nero, in the 1st c. AD. Yeah, that guy of reputable shenanigans. Petronius describes a dinner celebration in which the patrons were not only busy fornicating in an orgy but also throwing up the contents of their feast. Even if this were a work of non-fiction, and one that would have been applied to a particularly abominable Emperor, he does not mention a specific room where these events would have supposedly taken place. Other writers such as Cassius Dio, Cicero, and Suetonius mention specific stories in which vomiting after excess had taken place (Julius Caesar was said to partake in purging antics) but, again, no mention of a puke room specifically. 
Sure, there is also Aulus Cornelius Celsus who recommends vomiting as a medicinal treatment where he suggests that “…after a dinner of many courses and many drinks of diluted wine a vomit is even advantageous” but continuing to clarify “When anything in the dinner is felt to disagree, he should provoke a vomit, repeating it the next day“. So this is not necessarily meant to suggest that one should be purging the contents of their dinner just so they could resume ingesting as much as they desire immediately after. Also, not to mention, Celsus is a practitioner of the imbalances of humors and prescribes vomiting to ease in the plethoric and bilious. And even then, he specifically states -“I allow that vomiting should not be practiced for the sake of luxury…no one who wants to keep well, and live to old age, should make it a daily habit.” So this supposed practice of binging and purging wasn’t exactly one that was encouraged either. 
Yet, despite ‘vomitorium’ clearly being used to describe architecture in its first usage and the lack of a ‘purge room’ being mentioned in sources detailing acts of vomiting among Romans, we get to the 20th century where Aldous Huxley publishes his novel Antic Hay in 1923 which serves as a comical narrative lampooning the lifestyle of exorbitance among the London elite.
“The door of his sacred boudoir was thrown rudely open, and there strode in, like a Goth into the elegant marble vomitorium of Petronius Arbiter…” Ch. 18 
It’s here that Huxley calls back to the Satyrion as mentioned earlier and applies the term ‘vomitorium’ incorrectly to the salacious acts of binging and purging described by Petronius. From here the association of a room in where Romans would purge their food and resume their feasts enters into the pop culture lexicon and Aldous Huxley is credited with creating a brave new world of alt-historical realities.  Almost one hundred years later and people are still regurgitating the same misconception–an idea further perpetuated by any clever writer who thinks the concept of a ‘vomitorium’ a sick one to include in their works or just passed around by people who heard it secondhand.
Clearly, the misuse of ‘vomitorium’ is about as contagious as the stomach flu. Let’s do us all a favor and keep the myth down so we don’t all get sick with a case of ‘being wrong’, yeah?
Fact check it, yo!
 Alice P. RADIN Fictitious Facts: The Case of the Vomitorium:
 Pliny the Elder, BOOK XIV. THE NATURAL HISTORY OF THE FRUIT TREES, Ch. 28: http://www.perseus.tufts.edu/hopper/text?doc=Perseus:abo:phi,0978,001:14
 Macrobius, The Saturnalia: http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Macrobius/Saturnalia/home.html
 Celsus, On Medicine, Book III: http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Celsus/3*.html
 Aldous Huxley, Antic Hay, Ch. 18: https://gutenberg.ca/ebooks/huxleya-antichay/huxleya-antichay-00-h.html
The 12th century AD was a murderously good time for anyone who was bored and looking for something to go kill in a far away land. Noble youths with unsatiated blood lust who had run out of best friends to kidnap and ransom finally found their calling. When Pope Urban II called for aid to the Byzantine Empire in the form of military ass-whuppery, many of these belligerent teenagers set off to reclaim the territory in Anatolia lost to those rando Seljuq Turks that had seemingly popped up out of nowhere on the world stage. While doing so, they thought–hey man, since we’re already down here and winning, why not shift our fratboy douchebaggery party hoppin’ on over to Jerusalem and just, like, wrestle it out of the hands of those rival Islamic bros and totally blow up their spot? Thus kicking off centuries of The Crusades lobbing that territory back and forth between blood baths and redrawn political landscapes that cause even the most healthy, history of the Middle Ages student a migraine as they attempt to make sense of the disjointed kingdoms and legacies that cropped up as a result.
This was the era of key historical players who are famed for their role in these events. There was the showdown between Richard I the Lionheart and Saladin during the Third Crusade, Frederick Barbarossa was busy harassing the Italian states and making himself Holy Roman Emperor, Eleanor of Aquitaine was retaliating with a decent show of her own “game of thrones”. Genghis Khan was occupied uniting the Mongol tribes and gearing up for a casual, no big deal ride through Asia just to, you know, take in the scenery. The 12th century was rife with so many popes and kings and wars, it’s no wonder people’s imaginations light up when they think of the high middle ages–things were going down.
And so was Henry II of Champagne, incidentally, but he doesn’t know that quite yet.
Today is our last full day in Italy before we head back to the frozen tundra we stubbornly call home. As Venice is a beautiful, seaside city we wanted to soak up as much sunshine as we could.
But first, we ducked in to visit The Doge’s Palace not far from our hotel to start our day. The palace was built to house not only the Doge but the entire government–filled with senate and judicial chambers as well as a frighteningly cold prison.
The palace was also hosting a temporary exhibition featuring paintings and artwork from Venetian painter Canaletto as well as others. Canaletto was most famous for his stunning portraiture of Venice, so it was pretty cool to see what the city used to look like back in the 18th century compared to today.
We also got to view the palace’s extensive collection of armory and weaponry–I’ve honestly never seen so many swords, axes, and crossbows in one place before and I am a frequent player of video games.
It was time now to visit the prison. The excited feeling I had of momentarily stepping into a real life Pirates of the Caribbean quickly vanished as I realized how truly miserable these dungeons were. They were dank, cold, and lifeless. No window, no nothing–really. They were stone chambers reminiscent of Edmund Dantes’ vacation in Chateau d’If. Knowing that was to be one’s punishment upon misbehaving, I can’t understand why anyone would even bother.
After touring the palace, we thought we’d go island hopping for a bit. It was a gorgeous day out, despite the chilly breeze, and the piazza was otherwise packed with tourists. Before we caught our boat, we witnessed an irate Gondola driver chewing out two people who had just ridden with him–apparently they talked too much!
My mother was most excited to visit the island of Murano so that she could browse the glass shops. She was also hoping we could find a factory and see how it was made–my mom usually gets what she wants, so the universe answered in kind. Here’s a demonstration from a glass blower making a sculpture in 1-minute!
After cruising around the islands in the sun for awhile, I wanted to warm back up with my coffee from Caffe’ Florian. Casanova used to hang around there in particular because that’s where all the pretty ladies in Venice used to go–so I thought my mom and I better sit inside this time!
The rest of our time in Venice was spent walking around and trying to commit the city to our memory forever. It really is a beautiful city and I’ve heard negative things about it from some people who insisted it smelled–honestly, I didn’t get that all. Though I had the impression we were visiting in the off-season and perhaps things don’t get as funk when it’s not summer time! Needless to say, Venice did not disappoint–I’d definitely love to come back again some day and explore!
Closing out the night, we visited a highly rated restaurant called Bistrot de Venice which specializes in showcasing traditional Venetian cuisines. I ordered Pasta & Goose, which includes pinenuts, raisins, goose sauce, rosemary, and sage. It’s a traditional dish born from the Jewish Ghetto in Venice around the 16th century.
It’s now time for me to head home–Italy will surely be missed. I know I’ll be back again soon someday, however. Thanks for following along with my adventures and I hope you stick around on my blog and continue to follow along with my adventures delving into various history topics–always with a good sense of humor, of course!